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The Picture in the House - H. Lovecraft

The Picture in the House

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Книга рассказывает о исследователях, которые путешествуют в странные и отдаленные места в поисках ужаса. Они исследуют катакомбы Птолемеиды, мавзолеи в кошмарных странах, средневековые замки на берегах реки Рейн и забытые города в Азии. Темные леса и безлюдные горы становятся их святилищами, а они задерживаются вокруг зловещих монолитов на необитаемых островах. Но их истинное удовольствие - это древние, одинокие фермерские дома Новой Англии, где сочетаются силы тьмы, уединения, гротеска и невежества, создавая идеальный образ ужаса. Самым ужасным из всех видов являются непокрашенные деревянные домики, удаленные от проторенных дорог и обычно расположенные на заболоченных склонах или прислоненные к огромным выступающим скалам. Эти дома существуют уже более двухсот лет, покрытые плющем и облегченные тенью, но небольшие окна все еще вызывают шок, словно они пробуждаются из смертельного ступора, который оттягивает одиночество убийственных воспоминаний. В таких домах жили поколения странных людей, уникальных для мира. Они притягательно верили во что-то мрачное и фанатичное, что изгнало их от их общества, и их предкам требовалось освободиться в глушь природы. В этом варварском окружении их силы превратились в необычные течения; и в одиночестве, мрачном самоограничении и борьбе за жизнь с безжалостной природой, в их сознание проникли темные и тайные черты из древних глубин их холодного северного происхождения. Прагматичные по необходимости и строгие по философии, эти люди не были красивыми в своих грехах. Возможно, как и все смертные, они совершали ошибки, однако жестокая судьба их побудила устрашать их своей непреклонностью.

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The Picture In The House

Searchers after horror haunt strange, far places. For them are the catacombs of Ptolemais, and the carven mausolea of the nightmare countries. They climb to the moonlit towers of ruined Rhine castles, and falter down black cobwebbed steps beneath the scattered stones of forgotten cities in Asia. The haunted wood and the desolate mountain are their shrines, and they linger around the sinister monoliths on uninhabited islands. But the true epicure in the terrible, to whom a new thrill of unutterable ghastliness is the chief end and justification of existence, esteems most of all the ancient, lonely farmhouses of backwoods New England; for there the dark elements of strength, solitude, grotesqueness, and ignorance combine to form the perfection of the hideous.

Most horrible of all sights are the little unpainted wooden houses remote from travelled ways, usually squatted upon some damp grassy slope or leaning against some gigantic outcropping of rock. Two hundred years and more they have leaned or squatted there, while the vines have crawled and the trees have swelled and spread. They are almost hidden now in lawless luxuriances of green and guardian shrouds of shadow; but the small-paned windows still stare shockingly, as if blinking through a lethal stupor which wards off madness by dulling the memory of unutterable things.

In such houses have dwelt generations of strange people, whose like the world has never seen. Seized with a gloomy and fanatical belief which exiled them from their kind, their ancestors sought the wilderness for freedom. There the scions of a conquering race indeed flourished free from the restrictions of their fellows, but cowered in an appalling slavery to the dismal phantasms of their own minds. Divorced from the enlightenment of civilization, the strength of these Puritans turned into singular channels; and in their isolation, morbid self-repression, and struggle for life with relentless Nature, there came to them dark furtive traits from the prehistoric depths of their cold Northern heritage. By necessity practical and by philosophy stern, these folks were not beautiful in their sins. Erring as all mortals must, they were forced by their rigid code to seek concealment above all else; so that they came to use less and less taste in what they concealed. Only the silent, sleepy, staring houses in the backwoods can tell all that has lain hidden since the early days, and they are not communicative, being loath to shake off the drowsiness which helps them forget. Sometimes one feels that it would be merciful to tear down these houses, for they must often dream.

It was to a time-battered edifice of this description that I was driven one afternoon in November, 1896, by a rain of such chilling copiousness that any shelter was preferable to exposure. I had been travelling for some time amongst the people of the Miskatonic Valley in quest of certain genealogical data; and from the remote, devious, and problematical nature of my course, had deemed it convenient to employ a bicycle despite the lateness of the season. Now I found myself upon an apparently abandoned road which I had chosen as the shortest cut to Arkham, overtaken by the storm at a point far from any town, and confronted with no refuge save the antique and repellent wooden building which blinked with bleared windows from between two huge leafless elms near the foot of a rocky hill. Distant though it is from the remnant of a road, this house none the less impressed me unfavorably the very moment I espied it. Honest, wholesome structures do not stare at travellers so slyly and hauntingly, and in my genealogical researches I had encountered legends of a century before which biased me against places of this kind. Yet the force of the elements was such as to overcome my scruples, and I did not hesitate to wheel my machine up the weedy rise to the closed door which seemed at once so suggestive and secretive.

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