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The Story of the Lost Castle - Nikolay Lakutin

The Story of the Lost Castle

Автор

Страниц

40

Год

2022

Вглубь сердца... Он, будучи неотъемлемой реальностью, ведёт нас к тому, что кажется невозможным... неприемлемым. Мы не верим своим глазам, мы понимаем убедительность и логичность аргументов других, но всё же следуем этому призыву... И если мы не предаем себя, то понимаем, что за этим призывом кроется истинность.

Думая о внутреннем зове, я не могу не вспомнить о моих собственных стремлениях и чаяниях. Похоже, что он манит меня в неизведанные просторы, в места, где реализация кажется трудновыполнимой. Вероятно, никто другой не понимает этого странного влечения, но я его преследую без колебаний.

Тем не менее, осознавая важность и приемлемость аргументов окружающих, я продолжаю двигаться по своему пути. Моя решимость позволяет мне верить в то, что истина заложена в этом зове, который никак нельзя проигнорировать. Следуя ему, я открываю для себя реальность, настолько удивительную, что трудно описать словами.

Оказывается, не следует ставить под сомнение этот внутренний призыв, который идет от самого глубокого уголка нашего существования. Он навевает нам смелость и приводит к неожиданным результатам. Именно в этом призыве крылась истина, способная перевернуть наш мир.

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Attention! ALL COPYRIGHTS TO THE PLAY ARE PROTECTED BY THE LAWS OF RUSSIA, INTERNATIONAL LEGISLATION, AND BELONG TO THE AUTHOR. ITS PUBLICATION AND REPUBLICATION, REPRODUCTION, PUBLIC PERFORMANCE, TRANSLATION INTO FOREIGN LANGUAGES, MAKING CHANGES TO THE TEXT OF THE PLAY WHEN STAGED WITHOUT THE WRITTEN PERMISSION OF THE AUTHOR IS PROHIBITED. THE PRODUCTION OF THE PLAY IS POSSIBLE ONLY AFTER THE CONCLUSION OF A DIRECT CONTRACT BETWEEN THE AUTHOR AND THE THEATER.

Comedy. Drama. Horror. In two acts. Duration 2 hours.

WARNINGS!!!

For theaters that focus this production on horror!

During the production, it is desirable to have two law enforcement officers or two theater administrators in a constant field of view of the viewer (along the edges of the stage), because at certain moments of the production, panic is possible in the hall. We need those who will be aware of the events and will remain calm, thereby setting an example to the viewer, explaining, if necessary, that everything that is happening is staged.

The viewer should be warned about shocking episodes and be ready emotionally and physically to perceive them!

If the emphasis is on drama, and shocking scenes are not exaggerated, then warnings in the production can be ignored.

ACTORS

Callista is the main character (about 20 years old).

Erast is the owner of the castle (about 30 years old – in appearance).

Maina is the girlfriend of the main character (about 20 years old)

Ermolai is the father of the main character (about 60-70 years old).

Elena is the mother of the main character (about 20 years old – in appearance).

Polycarp is the father of a friend (the natural age of the parent).

Vera is the mother of a friend (the natural age of the parent).

Antip is a servant (a role without replicas).

The production involves extras (20-30 people).

Act One

The viewer should not see the scene before the action begins! The curtain must be closed before the performance begins!

Before the beginning of the action of the first scene (about 10 seconds before the start of the action), we give a loud, angry roar of Venom (or something similar, but very bloodthirsty and spectacular)!!!

Scene 1. Polycarp's Barracks

A remote village. Evening. Barracks.

It's dark in the hall and on the stage. I can't see anything, but I can hear something.

Some household sounds are heard on the stage. Someone walks, someone knocks something, moves something. The sound of a spoon on an iron bowl. Heavy dissatisfied male exhalations.

In the auditorium a few people can linger and fidget in their chairs impatience understandably, the excitement and expectations of the unknown (this issue can be partially solved decoy actors, but the viewer to the point until the light on the stage does not illuminate, usually rustles, rustling, etc., that's what we need).

Polycarp (suddenly loud, strictly to the viewer chills ran down his back, and there was mixed feelings, to whom and from whom the appeal, or to the viewer, whether it already is the play). So what? How long are you going to get in?

We give a small pause of 3-4 seconds before the next remark, so that the viewer does not have time to understand anything.

Vera (nervously). Yes, what is it? Don't you know what yourself? The traffic jams must have been knocked out again! Maina – drag the lantern, so you can't see anything.

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