Suprematistic QR code: The Essence of the Legend

As we explore the peculiarities of the discourse that is interesting for us, we find the proofs of our ideas. As we study Malevich’s biography and art, we fall into the world of his suprematist ideas. We find it necessary to highlight that this person has devoted his life to art completely and neither of the false rumors has stopped him from his creations. Time has made everything to be right. However, despite Malevich’s world fame his pieces of art are not fully understood. This book contains complex and objective overview of Malevich’s art movement. The following research leads its reader to the idea of suprematism global realization which happens right now, when new tendencies and technologies appear, and makes him understand that he is an integral part of this process.

Here comes a thought… There are too many of them. No. They have overwhelmed everything around. They are on subways, streets, magazines, pages of the Internet, packages, business cards. Big or small, colorful but commonly black squares are everywhere, and they form a multi-component homogeneous figure.

A square is a regular quadrilateral which angles and sides are equal. However, the square considered below is only visually similar to the described figure because its sides are not equal to each other, pairwise are not parallel.

As we hear the word “square” we recall in our mind Malevich’s painting associatively. And then the figure that appears in our consciousness becomes black. It seems that drawing a black square on a white background is very simple, and this idea is primitive. However, a painting with a simple geometric figure is recognized as a masterpiece in the world. The “Black Square” (1915) is the work of Kazimir Malevich (February 23, 1878 – May 15, 1935) that is considered as his magnum opus. It is of the high value. The artist has painted many paintings. Why has only the “Black Square” occupy the minds of people?

The painting gives a mystic call to recognize its conceptual, philosophical design and becomes a reason of viewers’ indignant w-questions. It has sparked our interest to make this versatile study. Despite the fact that there are many works on K. Malevich’s art, it remains mysterious. It is still written by a person who has not been fully understood.

It is important to understand that there are too many facts about K. Malevich and they sometimes when are taken from the various sources are not identical. Malevich has deliberately provoked these differences to integrate them into his own history of art. The artist left so many mysteries! That is why a creation of the picture of Malevich’s world, which could shed light on the hidden meanings of his art, is desired.

“I guess that exploring, studying, recognizing are possible only when you can get a unit that is not connected with surroundings, that is free from any affection and any addiction. If I can do it, then I will study it, if I don’t do it, I will receive nothing but lots of pieces of excerpts and conclusions1.” – K. Malevich wrote.

The term system was Malevich’s the most favorite one. He thought that in science and art everything new was based on previous experience and following the important tendencies could make individual art valuable.